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Many Japanese games are accessible to westerners, but accessibility doesn’t always equate to being worthwhile. Crayon Shin Chan is an example of a game left in Japan for good reason, as it doesn’t appeal to non-Japanese audiences and wouldn’t really be worth playing if it did.
How do you take an above average CD title and make it bland? Take away the only special things the CD format added! That’s precisely what JVC did with Wolfchild, which lost its cut scenes and CD soundtrack during the transition to cartridge. Left to fend for itself on the strength of only it
s gameplay and visuals, this wolf is looking pretty dire indeed…
Wrestling games tend to be popular, and one would expect that a game featuring only female wrestlers would be a great thing. Unfortunately, that’s not the case with Cutie Suzuki no Ringside Angel, which suffers from bland gameplay and presentation. There’s a reason this one was left in Japan, folks…
Once a proud example of action/platforming that could tell a story, the Valis series has since deteriorated into a mockery of its former self, like a beauty queen turned crack whore. However, long before it went Hentai, Valis began its downward slide with a game that proved Telenet simply no longer cared. This is what we got instead of a true Valis II port…
Stallone has more than a couple of games on the Genesis, and they all range widely in quality, just like his movies. Some, like Rambo III, are quite good, and others initially seem horrible but warm up to you the more you play them. Cliffhanger fits neatly into the second category. It doesn’t really t make any effort to stand out among 16-bit beat-’em-ups, good or bad.